“一带一路”——我们共同的路｜ 文物是“介绍信” 博物馆成“会客厅”！

当哈萨克斯坦网红级国宝“黄金武士”，带着草原游牧民族的豪迈气息，将4000多片金饰缀成的铠甲、镌刻着动物纹的配饰完整呈现在天津民众眼前，每一道纹路都诉说着哈萨克斯坦的历史记忆；当明清时期景德镇烧制的青花花鸟纹罐，携着中华瓷韵的温润雅致，将青花料晕染的花鸟、细腻莹润的釉色展现在哈萨克斯坦观众面前，每一笔勾勒都承载着中华文明的匠心传承。

As Kazakhstan’s internet-famous national treasure, the “Golden Warriors”, arrived in Tianjin, they brought with them the bold spirit of the steppe nomads. More than 4,000 gold pieces form the dazzling armors, and every animal-patterned ornament carries a fragment of Kazakhstan’s ancient memory. And when a blue-and-white porcelain jar painted with flowers and birds from Jingdezhen, crafted during the Ming and Qing dynasties, appeared in front of Kazakhstan's visitors, its gentle glaze and elegant brushwork offered a quiet glimpse into the artistry of Chinese civilization.

图注：展览现场/Exhibition scene

“这些展品从中国天津来到哈萨克斯坦，不仅打破了地域的限制，更是跨越了漫长时光，来到我们身边的朋友。我看到了天津这座城市的文化温度与匠心传承，更感受到中哈两个有着悠久历史的国家，在审美喜好、工艺智慧和对艺术的理解上，虽隔着千山万水，却有着说不出的默契和共鸣。”热爱中国文化的哈萨克斯坦民间文化爱好者卡里姆在欣赏过展览后赞不绝口。

“These artifacts traveled all the way from Tianjin to Kazakhstan. They’ve crossed not only geography but time — like old friends finally arriving at our doorstep,” said Karim, a local cultural enthusiast deeply fond of Chinese culture. “Through them, I felt the cultural warmth and craftsmanship of Tianjin, and I sensed the shared aesthetic and artistic understanding between our two ancient nations. Even separated by mountains and rivers, we somehow resonate.”

图注：展览海报/Exhibition poster

图注：展览现场/Exhibition scene

文明因交流而多彩，文明因互鉴而丰富。2024年“黄金武士与富饶草原——哈萨克斯坦国家博物馆藏历史文物展”在天津博物馆成功举办，增进了中国观众对哈萨克斯坦文化的了解。2025年，“文明印记——中国古代工艺文物精华展”在哈顺利展出，不仅展示了中华文明的深厚底蕴，也彰显了中哈两国在文化交流领域的深厚友谊。

Civilizations flourish through exchange and grow richer through mutual learning. In 2024, the exhibition “Golden Warriors and Fertile Grassland: The Historical and Cultural Heritages Collected by National Museum of Kazakhstan” was successfully held at Tianjin Museum, helping Chinese audiences better understand the culture of Kazakhstan. In 2025, the exhibition “Imprint of Civilization: Selected Artwares of Ancient China” opened in Kazakhstan, showcasing the depth of Chinese civilization and the strong cultural ties and friendship between the two countries.

引进来是为了更好地走出去。两国一来一往的文物互展，推动不同文明间的对话与理解，让“一带一路”建设从总体布局的“大写意”逐步转向精雕细琢的“工笔画”。“文明印记——中国古代工艺文物精华展”策展人、天津博物馆器物研究部副研究馆员乔岳坦言：“这些展品不只是静止的文物，而是像连接两国、跨越时空的对话者，让我们看到两国古老的文明在审美、理想、工艺智慧和生命哲思上的深层共振。”

Bringing exhibitions in is ultimately to help us go out. These two-way cultural exchanges between the two countries have promoted communication and mutual understanding between civilizations and turned the Belt and Road Initiative from a broad “freehand painting” into a finely detailed “meticulous painting”. As Qiao Yue, the curator of the exhibition “Imprint of Civilization: Selected Artwares of Ancient China” and Associate Research Curator, Department of Artifact Studies, Tianjin Museum, put it: “These artifacts aren’t just static objects; they’re like time-traveling messengers connecting our two countries. Through them, we see deep resonance in aesthetics, ideals, craftsmanship, and reflections on life between the two ancient civilizations.”

天津博物馆举办“黄金武士与富饶草原”特展，让天津市民近距离领略中亚草原文明的璀璨。展览精心打造沉浸式草原场景复原区，还原伊塞克墓地周边的草原风貌，搭配数字化投影技术再现游牧民族生活场景，让观众“走进”草原深处。“带孩子来参加木马彩绘活动，他不仅亲手画出了草原风格的木马，还主动问我哈萨克斯坦的风土人情，这样的互动比单纯看展更有意义。”天津市民张先生带着儿子参与活动后感慨道，“引进来的不仅是文物，更是一种文化氛围，让我们和孩子都学会了尊重和欣赏不同文明。”不少天津市民在观展后，主动通过书籍、网络了解哈萨克斯坦的历史文化，还有市民自发分享观展感悟，在社交平台上搭建起民间交流的桥梁，他留言说：“黄金武士的金饰里藏着草原民族的智慧，互动体验让我真切感受到不同文明间有特色之别，彼此包容才能共生共荣。”

At Tianjin Museum, the exhibition“Golden Warriors and Fertile Grassland” allowed locals to experience the brilliance of Central Asian steppe culture up close. A fully immersive grassland scene recreated the environment around the Issyk burial site, and digital projections brought visitors into the nomadic life deep in the grassland. Mr. Zhang, who attended with his son, said: “My kid painted a wooden horse in steppe style and then started asking about the culture of Kazakhstan. This kind of interaction means more than just looking around in the exhibition. What this exhibition brings isn’t only artifacts; it’s a cultural atmosphere that teaches us to appreciate and respect different civilizations.” Many Tianjin residents later looked up the history of Kazakhstan on their own or shared their impressions online, building a bridge of people-to-people exchange. A visitor wrote: “The Golden Warriors’ gold ornaments really show the wisdom of the steppe people. The interactive experience made me feel, in a very real way, that every civilization has its own kind of beauty — and it’s only when we respect one another that we can truly grow together.”

图注：展览现场非遗体验活动/Intangible cultural heritage workshop in the exhibition

“文明印记——中国古代工艺文物精华展”在哈萨克斯坦国家博物馆开展首日，展厅便被前来参观民众的热情填满。天津博物馆讲解员化身舞蹈演员，通过中国传统舞蹈，呈现文物背后的文化意境，让哈萨克斯坦观众沉浸式感受中华传统文化的韵味。不少哈方民众看完舞蹈后难掩赞叹，艾娜说：“舞蹈太动人了，仿佛从文物里走出来的一样，我看到了中国文化的诗意与浪漫，也更能理解中华文明的内敛之美。”天津非遗展示同样吸引，杨柳青年画的细腻笔触、泥人张的栩栩如生，让哈萨克斯坦观众近距离感受非遗技艺的独特魅力。当地设计师看到展览中的中国织绣、陶瓷纹样后，获得很多创作灵感：“我打算把中国传统纹样和哈萨克斯坦的刺绣工艺结合起来，设计成日用品，分享给身边的家人朋友。”更有不少当地学生在看完展览后，主动加入中文学习小组，哈中语言学校一年级学生库尔曼拜攥着亲手剪的中国窗花说：“我学会了说‘你好’‘谢谢’，我想多了解中国，以后去中国看看。”

On the opening day of the exhibition “Imprint of Civilization” in Kazakhstan, the whole place was packed with people. Tianjin Museum’s guides even performed traditional Chinese dances to express the cultural spirit behind the artifacts, immersing visitors in the poetic charm of Chinese tradition. A local visitor, Aina, said: “The dance was stunning — as if it had stepped right out of the artifacts. I saw the poetry and romance of Chinese culture, and further my understanding of its inner beauty.” Local audience was also drawn to Tianjin’s intangible cultural heritage; the delicate strokes of Yangliuqing New Year paintings and the lifelike figures of Clay Figurine Zhang brought local visitors into a close experience of the charm of Chinese culture. A local designer said the Chinese textile and ceramic patterns inspired new ideas: “I want to combine Chinese motifs with Kazakh embroidery and turn them into everyday items to share with friends and family.” Many young visitors were inspired too, to join the Chinese language group. Kurmanbai, a first-year student from a Kazakh-Chinese language school, held up a paper-cut window decoration he made himself: “I learned to say ‘nihao’ and ‘xiexie.’ I want to learn more about China and visit someday.”

图注：展览现场传统舞蹈表演/Traditional dance performance in the exhibition

跨越万里山海，文物变身文化交流的“介绍信”，博物馆成为文明互鉴的“会客厅”，让两国民众在触摸彼此历史脉络、感知文化温度的过程中，心意相通、情谊相连，在共建 “一带一路” 的生动实践中，不断书写民心相通、文明互鉴的崭新篇章。

Across thousands of miles, artifacts have become “ambassadors” for cultural exchange and museums have become “meeting rooms” for mutual learning. As people from both countries engage with each other’s history and feel each other’s culture, hearts grow closer and friendship gets stronger. Through the Belt and Road Initiative, China and Kazakhstan are constantly writing new chapters of history with mutual understanding and shared cultural appreciation.（津云新闻记者/张璟 孙畅 设计制作/王舒瑶 费腾 Jinyun news reporters/ Zhang Jing, Sun Chang; Design and production/Wang Shuyao, Fei Teng）